Ustad hotel malayalam movie cast tv#

How is her equation with the actors in her films? “All the actors that I have worked with are brilliant ones,” she says. But young people like you should not be asking these kinds of questions.”Īnjali certainly knows her mind, and it is this clarity that makes actors like Prithviraj say that she is the only director whom he trusts completely. It is another fact that Fahad is always very supportive. “She does not need her husband's permission. “Nazriya is an independent person with a strong mind of her own,” she said. Anjali admonished him for asking such a gender insensitive question. The ever-smiling Anjali turned red when the reporter asked whether actor Fahad Fazil had given his wife Nazriya Nazim, who had taken a break after her marriage, permission to act in Koode, Nazriya's come-back film.

Ustad hotel malayalam movie cast tv#

While we were talking, a TV reporter approached her. “But I write it down only when those characters come visiting me again and again, and I feel an absolute need to put it down.” “It always starts either with a compelling character or an idea,” she says. Talking about her filmmaking process, Anjali says that she is an impulsive person. My dream is to make deeply sensitive films like those of Gulzar.” And outside the Malayalam industry, it is Gulzar who has inspired me. “We have had such brilliant directors like Padmarajan and Bharathan. My family was quite surprised by my choice of career.”Ī person's cinematic sensibilities are shaped by the films she watches, so which were the films that influenced the filmmaker in her? “For me, it was Malayalam films out and out,” she says. “But I veered towards cinema around the time I hit my twenties. Her latest, Koode, starring Prithviraj and Parvathy, was also a success.ĭid she always want to be a film director? “I loved telling stories,” she says. Then came the super-hit film Bangalore Days, which again won her the State award for best screenplay. Her next film, Ustad Hotel, won her the national award for best dialogues, and also the State award for dialogue delivery. It won her many awards for best debut director, including the FIPRESCI award at the International Film Festival of Kerala (IFFK) in 2012. Her first feature film Manjadikuru (lucky red seeds) was a children's take on the adult world. “But now, that phase has gone and there is more acceptability.”Īnjali is an alumnus of the London Film School, where she specialised in editing and direction. “Initially, the media did not know what do with me,” she says. She has won many national and state awards for her films.

All her films-Ustad Hotel, Bangalore Days, and the latest one, Koode-have been critical and commercial successes. The deeply patriarchal Malayalam industry is, in fact, gradually overcoming the initial shock of encountering a successful woman director.

There are still people who would rather credit someone else for the success.” “It may take more time for some people to see beyond that. “Even now, certain people think like that.,” she says. “So it does become important to work in a format that can achieve that.” She says that, initially, she was always a woman first and a director second to many. How did she deal with the proverbial gender glass ceiling? “As I said, in the film industry, it is box office performance that is given highest credence,” she says. But a question on gender is inevitable when one meets Anjali. She does not enjoy being tagged as a “woman director”, and would rather be called a director woman. What matters is mutual respect and acknowledgement.” “Men and women have different strengths, and one need not be like the other. “I believe in equal rights for all,” she says. “Then, gender does not matter,” she says. If sensitive, creative people do not react during such times, then who will? - Anjali Menon, on the female actor abduction case The silence of many on that incident is deafening.